In the stillness of the early morning, I come to my desk and write. Darkness is brushed away by the gentle glow of my lamp. All slumber, save me, for it is the appointed hour, the time set aside in my hectic life to bring forth words upon the page. So I sit at my desk, and begin to relay a tale, of a king, anointed by God, asked for by His people, but against the will of the prophet, Samuel. Images of great battles and events of fealty and lordship take shape. Through the vivid drama played out before my mind’s eye, a solitary figure emerges. Just a glimpse at first, then a gentle nudge, until at last, he erupts upon the scene in full grandeur, filling the pages. He has a story to share, a tale to tell, and he has chosen me as his vessel. I listen to what he has to say, but I only allow him an opening place in my story, a lead into the main action of what I have chosen to recount. But he is relentless, pressing into my mind, usurping the process; until, at last, I stop and take notice.
Before I begin my scheduled writing time, I have a moment of prayer. I ask of God direction in my work. Each word, each phrase, is to be the voice of God revealed within my manuscript. It is, and has always been, my chief desire to express the message of the Lord upon the pages of my books. And I have been amazed at the words He has given me. So there I was, trying with great effort to write a novel about King Saul. The story came, but this nagging image of another character kept taking my attention. I added scenes to the beginning of my book in an attempt to quell the voice of this one leaning heavily against my mind. Then it came to me, as so often thoughts do, in the dark as I lay in my bed.
“Make it its own story.”
But that is not the story I want to write, I thought to myself in the stillness.
Again the thought came to me, “Set it down as its own tale. It is a story unto itself. A prequel.”
A prequel, I repeated. But it is not long enough to stand alone.
“Rewrite it and make it so.”
God, is that you? I questioned. If this is what you want of me, then I ask two things to prove it so. Firstly, I have to have a title. A good book needs a name. Secondly, it must be at least 300 pages or 90,000 words, or it will not match my plans for the rest of the series. If, through me, You accomplish this, then I will write it as its own story.
By the end of the day, I had my title: THE STONE OF EBENEZER. It was perfect. I would never have thought of that myself.
Ok, Lord, I have the picture.
So I began writing. I had worked six years on this novel. Now, after so much effort, I split off the front and began to flush out this new venture. Within four months, the story transformed, into a tale of faith and revenge, of loss and hope. I could hardly believe my eyes.
What was happening?
It was as if I had lost control, given up to the character. It was he, telling the tale of his crisis of faith, of his struggle with his past. Could he let go of the hurt? Move on to a future bright and hopeful? He had so much to overcome, and all the while, his nation faced annihilation. War festered in the land, and with sword in hand, this character strove to fight his way to resolution.
As I wrote the words, I was amazed at how they grew.
When the word count reached 87,000, I told God, alright, I am convinced, it is done. It mattered not that the manuscript had not yet reached 90,000 words; I would do as He asked.
But the Lord is faithful, and we had a deal. And as it often is with God, He exceeded His promise. The novel grew to 315 pages; 92,000 words.
Oh, and the character, who so ardently pushed his way upon my consciousness, his name is Nagad, (naw-gad’ ), which means messenger in Hebrew.
THE STONE OF EBENEZER:
finalist in the Women of Faith 2012 Writing Contest
finalist in the WestBow Press and the Parable Group 2014 Aspiring Authors Writing Contest
Release date – Spring 2015